Friday, October 23, 2020
Two Chinese graves, somewhere on Motuihe
Saturday, September 19, 2020
A timeline history of the Kosy at Blockhouse Bay
From 1926 to 1973, Blockhouse bay had a hall/dance hall, and later cinema, on the site currently part of the carpark in front of Countdown Supermarket, off Donovan Street. Back in 2017, I gave a talk about it at the Blockhouse Bay Library. Here are the notes.
The northern half of Allotment 269, at the corner of Blockhouse Bay Road (Wynyard St) and Donovan Street, was one of three lots bought under Crown Grant in Whau South in September 1859 by Jerome Cadman, a builder living in Chapel Street (now Federal Street), then later Albert St, in the city. Cadman was also a warden at St Matthews Church, and later a member of the Auckland Provincial Council. After he died, the land was assigned to his widow, Ann, and then transferred to the legal firm of Dignan & Armstrong. Mrs Catherine Armstrong came to own the land outright from 1882.
1907
Back in Blockhouse Bay, Arthur Decimus Sheffield, a farmer from Titirangi, owned the corner property (now including part of 295) from 1907. It looks like he retired to the Blockhouse Bay site, and had the house built on Blockhouse Bay Road where the Guttormsens later lived (today, this is about where the north-west corner of Countdown’s building is.) Sheffield’s father served with the East India Company.
1919
The site was owned by Percy Fowler from 1919-1921 (who also seems to have used the house) , then retired farmer John Walker from 1921-1925.
1925
Guttormsen came to New Zealand with his sisters Helga and Annie.
February
Avondale Borough Council reject Avondale South residents’ request for a public hall in their area. December Ole Guttormsen buys the Wynyard Road-Donovan St 1.25 acres section from retired farmer John Walker.
1926
February
Annie and Helga advertise music lessons from their home on Wynyard Road, “Margate Villa”. Ole advertises a four room house, close to beach and bus.
March
Ole advertises wanting 50 Bentwood chairs and 40 forms with backs (must be cheap).
June 12 1926
Blockhouse Bay Hall opens, ceremony by HGR Mason, MP. Admission Gents 2/-, Ladies 1/6, Refreshments provided. It had a stage (described in a report from 1930), tables, and attached supper room. The hall was 30’ x 100’ in size. Later that month, Kalee projectors on display at Harringtons of Queen Street. A special notice for “showmen” to check out their Show Stand at the shop. Guttormsen advertises that both learners and advanced dancers welcome on his “excellent floor”.
September
Called the Blockhouse Bay Lecture Hall in one ad. May have had the projector installed at this point.
November
Referred to as Blockhouse Bay Picture Hall. Still mainly used for the weekly dances. Jan Grefstad wrote that Guttormsen was a projectionist, with his sister Annie selling tickets, and Helga playing the piano for accompaniment for the silent movies. He also thought that they held dances after the movies – but this is probably not correct. The advertisements do not mention movie shows at all while promoting the dances, and the hall seems to have been geared to the latter in the first years.
1927
Reliant on the GOC buses leaving the city 7.30pm and 8pm, conveying dancers to BHB, then taking them back to the city from the hall at 11pm. Bus links with the city and with Avondale were important, as they were for many of the dance halls scattered around the isthmus. From late 1925 however, the BHB Hall faced direct competition from the Dixieland at Pt Chevalier (which remained until 1935), Waikowhai Hall from 1930 (buses leaving from Avondale Fire Station via Blockhouse Bay) then the El Rey Club at Hillsborough from 1934. There were dances held at church halls as well, such as St Judes in Avondale and St Thomas in New Lynn.
Jacob Kohala appeared to be the manager at BHB, 1927-1928. He started on the circuit in Auckland with a Hawaiian band, then switched to jazz, waltz and foxtrot. He moved on in 1928 to the Ponsonby Hall.
1928
May
Avondale South Womens Club began holding their meetings in the hall (the club started in 1925), one of the members being one of the Guttormsen sisters.
June
The hall and supper room up for sale. Also “Cinema plant (Kalee Indomitable Projector Machine) patent screen, tip-up chairs.” It wouldn’t be until 1935 that Guttormsen sold his property, however.
October
Sir James Gunson used the hall for a political meeting. It would be so used through to the 1940s. Leo M Sayers now the manager. He advertised the “Seattle Snappy Six, Auckland’s Melody Sheiks,” who provided “the peppiest of dance music.” Prices were ladies 1s, gents 1/6. The bus to the dance came from the Mt Albert tram terminus now, and left the hall “after the dance.” “Get Out and Get Under the Moon.”
1929
The Aloha Quartet, for “Monte Carlo and Spot Waltzing”, on “the perfect floor.” Monte Carlo and spot dancing was a method of gambling for prizes.
April
The Blue Bell Serenaders, and Jake’s Versatile Trio, with Sayers offering “balloons, streamers, competitions”.
May
The Melody Boys Jazz Orchestra June – A children’s fancy dress dance in aid of the St Saviours Church.
July
A benefit picture entertainment held in the hall in aid of victims of the Murchison Earthquake. First reported instance of the hall used as a cinema (although that was likely happening off and on from late 1926.)
1930
January
Skip Whiting and his Merry Jesters Jazz Band (with 6 instrumentalists)
November
Grand orchestra, dancing from 8 to 12, with chocolates and cigarettes. Waikowhai Hall opens.
1931
September
Gaiety Dance Band.
1932
No advertisements until December, for New Years Eve. Hall used during the year for charity events.
1933
No advertisements.
1934
January
Old Time Dancing at BHB Hall. Monte Carlo, light supper, admission 6d.
At some point during winter that year, an unknown manager reorganised the hall to show talkies.
October – 20 October, reopening with “excellent talkie programme,” 8pm.
1935
June
Sale of the site to Alfred Clarence Stanbridge, picture theatre proprietor, £600.
July
Showing “Grand Canary” at BHB, under new management. Start of regular small ads for movies. 230 seats.
1938
Additions to the hall. At front, to the left of the entrance an office space. To the right, a lobby, and toilet space. Outside, a lean-to for an additional toilet.
1944
After subdivision, the hall site bought by Douglas and Sadie Elizabeth Fleming for £1150. Formal transfer in July.
August
The hall is licensed by Council for public meetings.
September
Children’s fancy dress party at the Beverley Theatre. Named after one of their daughters. “There were wooden steps leading up to the front entrance and on the left side of the entrance was the small ticket office window where Mrs Fleming sold the tickets. Adults were 1/6 in the back stalls and 1/3 for the front stalls and 1/- for children in 1948. As well as tickets Mrs Fleming had a small range of confectionery to sell to the sweet toothed. There was no interior foyer and after you bought your ticket you went to the left or right of the entrance and you were in the cinema. The back few rows were raised about 18 inches so those people could see over the heads of the people in front of you. The ladies’ toilet was on the left-hand side of the cinema next to the ticket seller’s office and the men’s toilet was on the right hand side of the hall.
“To reach the projection booth, which was above the entrance on the roof, the projectionist had to take the reels of inflammable film up a small wooden ladder on the side of the Men’s cloakroom next to the toilet. There were even hooks for you to hang up your coat and hat. Inside the cramped space of the booth two ancient Kalee projectors provided the screen magic. In 1944 the light source came from lamps costing £6 for two. The projectionists wages was 17s per performance and he paid a tax of 4s for two screenings. Some of the projectionists who worked there in the 1940s were a Mr Roper who started there in May 1944 and stayed until June 1945. Then there was young Doug Harley who came from the St James in the City where he had learned his trade and stayed for a few months …
“For years Mr and Mrs Fleming used to travel from Three Kings where they lived to Blockhouse Bay by car to show the movies.” [Jan Grefstad, Auckland Cinemas Vol 2] The movies were held on Wednesday nights.
1945
March
Thirty-nine seats @ 12/6 each obtained NZ Theatre Chair Co. September – newer seats purchased from His Majesty’s for £18. The front seats were said to be wooden ones salvaged from the tram fleet, but that remains unsubstantiated.
1947
May 10
1948-1951
Attendances ranged from 69 people to over 200.
June
Council sends notice that no hand basins were installed in the ladies and men’s toilets, that a 8’ x 10’ addition to the side of the building in order to sell soft drinks had no building permit, and that the front six rows of seats, being loose and not fixed to the floor, were a hazard in the event of fire. Fleming responded that a rough lean-to had always existed on the eastern side, used to store timber and odd rows of seats, and he simply moved it closer to the kitchen. The City Engineer advised battening together the loose seats in groups of six. Fleming replied that he battened them together in groups of four. City Engineer not happy, he wrote back suggesting groups of eight.
1950
February
1952
Jan Grefstad thought the Flemings sold the cinema so that they could go on a trip to Europe and see the coronation of Queen Elizabeth II (June 1953).
1953
February
Frederick Ofsoske of Hamilton buys theatre £2600 (including chattels)
March
October
Formal transfer to Frederick Ofsoske
1954
June
Application to Council to build three lock-up shops attached to the cinema.
1957
Ofsoske applies for permit to extend the hall for larger screen, and increase capacity to 100 seats and this extension to include space for a TAB office at the rear. However, with no guarantees of long-term off-street parking, Council agreed only to the cinema extensions, not the TAB. The old stage was removed, old curtains removed, flowerpots at each end disposed of. The new screen was lit up instead of having curtains pulled back.
1958
August
Cinemascope at the Kosy. The month the cinema officially reopened again, this time with more viewing days.
September
New owner, Blockhouse Bay Properties Ltd (Kenneth G McKerras, partner with P James Marquet). Application to Council for extension to the rear of the theatre in brick & concrete, increase seating by 84 (not Ofoske’s 100). “We are finding difficulty in seating all who wish to attend the better class of programme we are now screening. With one exception we have turned away from 20 to 40 people each Saturday night and in the case of a fortnight ago we had a full house on three sessions.” [Jan Grefstad] Application approved, without requirement for off-street parking. – Kosy Theatre Blockhouse Bay Ltd formed as a private company, with shareholders Ken McKerras, Peter Brandt (McKerras’ son-in-law), Jim and Yvonne Marquet.
November
Formal transfer to Blockhouse Bay Properties Ltd (£9850). Ofsoske died 1960.
1959
April to May
Operating box extended and seating altered - £4000. The foyer was altered, with office, ticket booth and storeroom now facing the front entrance, and two entries to the hall proper with upward ramps leading to the stalls at front, then steps up and back towards the further seats up to just beneath the projection and power rooms. The existing projection room which jutted out the front was removed and the roof altered as the space was enclosed.
July
Via Avondale Advance. “At last the carpenters have gone and the painting completed in the offices and toilets. Unfortunately we do not have the Reserve Bank of New Zealand behind us and there are some further projects ahead when finance permits such as Electric curtains, new linoleum, front of house lighting and other items. However we are showing first rate films and sincerely trust that you will be well pleased with the titles we have selected. The Housewife’s sessions have started once again and taking the atrocious weather into consideration we have been having very good attendances especially as we show the films back to front, that is we screen the main feature first then the short subjects so that mothers may leave early if need be to meet children after school. These sessions never come out later than 2.30 pm. We are now running special programmes for the kiddies each Saturday and we always have one or more cartoons. You can be assured that your child is in good hands at the Kosy. We will not stand any nonsense from the children and we have over the last 12 months weeded out the troublemakers and have banned them from this cinema. These last remarks apply equally as well to the teenagers and by virtue of our smallness we can keep a sharp lookout for any louts who may try to get in undetected. Call in at any time, rest in the lounge whilst waiting for your bus, use our phone, it’s cheaper than the one along the road and generally make yourself at home in your home of entertainment, the KOSY!”
1961
Marquet organised a bus trip for children that left the Kosy, visited the Aulsebrooks factory at Mt Roskill, then headed across the harbour bridge to Waiwera where they showed “Fury At Smuggler’s Rock” at the Waiwera Hall (film brought over from BHB on the bus). Then back to BHB by 5pm. Children at Kosy screenings were bribed to have the cleanest row, those there being allowed to stay back at the end of the session for an extra cartoon.
1962
January
Cinema begins to show special fortnightly Sunday screenings, half proceeds going to Kelston School for the Deaf. Advertisement – prices 1/9 or ¾ “Why not reserve a seat tonight for a two-hour (or more) appointment with pleasurable entertainment provided by the leading motion picture producers of the world? “Our theatre chair will transport you to the four corners of the world in the breath-taking beauty of colourful Cinemascope; you will be thrilled to see the year’s best selling novels unfold before your very eyes; love and adventure films will enthrall you in their foreign settings, providing you, your family and friends with a few hours of very pleasant relaxation. “Special Saturday sessions for children, when only ‘G’ and ‘S’ certificate films are shown. Children’s parties specially catered for – ring up and discuss your next party booking.”
1963
July
Council refuses to allow cinema screenings for the Dear School charity on each Sunday. The cinema then licensed only to show movies once a fortnight on Sundays. A deputation protested, stating that half the net proceeds from the Sunday screenings went to the Kelston School for the Deaf. The Council consulted the churches. Archbishop Liston was opposed to the idea. The Anglican Bishop’s representative said that the locals should be approached, and that the Anglicans had no objections to Sunday evening entertainment as they felt they couldn’t compel people to attend their services, and asked that the screenings not start until 8.15pm. Blockhouse Bay Baptist were opposed. They felt that Sunday nights should be for attending church, then a quiet night at home. The Avondale Ministers Association were also opposed. The Avondale Presbyterians were opposed, thinking it was purely for financial gain. Blockhouse Bay’s Iona Church were opposed, feeling that Sunday pictures for profit could threaten the upbuilding of Christian life and character. August – Council reverses their decision, allowing screenings each Sunday night.
1965
Trying to attract customers with ads advertising “wall-to-wall cinemascope screen,” “specially selected programmes from the leading film studios of the world,” “no parking problems”, and “sick of TV?” Screenings were on Monday, Tuesday, Thursday, Friday, Saturday matinee and evening. By now, the Sunday screenings had ceased, but Marquet held benefit evenings for the local Labour party, scouts, schools and ladies’ clubs.
1967
March
Cinema now under Ray Melrose management, “New Associated Independent Cinemas,” Glenn Parker as manager. New projectors were installed, replacing Guttormsen’s Kalee projectors from back in 1926. However, this couldn’t help the cinema’s profitability.
1968
18 May
Last movie: “Fantastic Voyage”, Stephen Boyd and Raquel Welch.
September
Transfer to Importers & Distributors Ltd.
1970
May
Transfer to Foodtown Supermarkets Ltd
1971
July
Rented to Blockhouse Bay Hire Service Ltd, $18 per week.
1973
Demolition.
Tuesday, September 15, 2020
Josiah C Firth, and the Mt Eden Rifle Range "rent"
Looking recently into the story of the Mt Eden rifle range (1872-1905), I came upon two conflicting bits of information. First, I had understood that the range was a nuisance to Josiah Clifton Firth, who had purchased John Ogilvie’s house on what is now Castle Drive in 1871 (although he’d leased it from 1868). [See red arrow on image]. Yet, right up to the early 1890s, he was one of its staunchest defenders against those of his neighbours campaigning in the newspapers and by petitions to Parliament to have it shut down. After successfully convincing the powers-that-be to leave the volunteers and their range alone in the mid 1880s, he received hearty cheers from the volunteers whenever he was spotted riding near the range.
Then, in 1892, he made a trip to Wellington, chatted with the Minister for Defence and other power brokers, and came away with a deal for the government to pay him “rent” for the next five years of £225 per annum, plus build a high wall between his house and the range because it was a “nuisance”. The nuisance bit I could understand, but the “rent” as the range wasn’t on his land at all seemed odd.
Eventually, it all shut down anyway when the Penrose range opened up in 1905. But I’m still amazed at this example of “pay up or else” – and that it worked.
Monday, August 24, 2020
The Glen Eden Strawberries and Cream scandal
The candidate was also critical on the Minister's partiality for dispensing strawberries and cream to afternoon meetings of lady electors. The Minister, he said, objected to proportional representation on the ground of the greatly increased expense of the larger electorates. No wonder, in view of the horrifying prospect of having to supply strawberries and cream to the ladies of a large electorate. (Laughter and applause.)
“that is to say giving or offering to give any money, or any liquor or refreshment, any article whatsoever to any Elector, or to any of his family or kindred, friends or dependants, with a view to influence his vote, or the holding out to him of any promise or expectation of profit, advancement, or enrichment to himself, or to any of his family or kindred, friends, or dependents in any shape in order to influence his vote, or making use of any threat to any Elector, or otherwise intimidating him in any manner with a view to influence his vote, the treating of any voter, or the supplying him with meat, drink, or lodging, horse or carriage hire, or conveyance whilst at such Election, or whilst engaged in coming to or going from such Election, the payment of any elector of any sum of money for acting in or joining in any procession during such Election or before or after the same, the keeping open or allowing to be kept open any public house, shop, booth, or tent, or place of entertainment of any kind, wherein liquor or refreshment of any kind be distributed or allowed at such place of entertainment of any kind, the giving of any dinner, supper, breakfast, or other entertainment at any place whatsoever, by any such Candidate to any Elector or number of Electors with a view to influence his or their votes … The commission of any of the above mentioned acts by any Candidate at any such Election, shall render such Candidate liable to a penalty of £100 …”
“And your petitioner says that:— (a) The said Christopher James Parr was, both by himself and by his agent, guilty of corrupt practices, in that on the 25th day of November 1922, at the Glen Eden Hall, within the said electorate, he did treat certain electors and provide the same with music and refreshments, to wit, strawberries and cream, for the purpose of influencing such electors to vote at the said election, and for that purpose did enter into a contract to pay for such strawberries and cream, and further, did engage and pay or contract to pay for a person to wash up and clean the necessary crockery used in providing such refreshment and entertainment, and further, did hire or contract to hire the Glen Eden Hall for this purpose of giving such refreshment and entertainment …And your petitioner says that:— (a) The said Christopher James Parr was, both by himself and by his agent, guilty of corrupt practices in that, on the 30th day of November, 1922, at the Avondale Hall, within the said electorate, he did treat certain electors and provide the same, with music and refreshments, to wit, strawberries and cream, for the purpose of influencing such electors to vote at the said election, and) for that purpose did enter Into a contract to pay for such strawberries and cream, and further, did engage and pay or contract to pay for a person to washup and clean the necessary crockery used in providing such refreshment and entertainment, and further, did hire or contract to hire the Avondale Hall for this purpose of giving such refreshment and entertainment. The said Christopher James Parr was, both by himself and by his agent, guilty of a corrupt practice, in that he gave valuable consideration, or agreed to give valuable consideration for the purpose of entertaining and treating certain electors as more particularly set out … hereof. And alternately your petitioner alleges that the facts as set out … hereof amount to an illegal practice. Therefore your petitioner prays that it may be determined that the said Christopher James Parr was not duly elected or returned, and that the election was void."
“she did not understand she was on Mr. Parr's political committee. She was present at the meeting when Mr Shepherd told the ladies that if they would take over the arrangements for the conversazione the gentlemen would retire. He suggested the provision of strawberries as it was the first season the fruit had been grown locally. It was naturally thought that the ladies would be paying the expenses. “Replying to Mr. Skerrett, witness said Mrs. Parr was very popular and the ladies discussed the question of holding a social in her honour. When they were discussing the details there was a difference of opinion as to the strawberries. There was no idea that Mr Parr should pay anything towards the expenses. It would have been an insult to invite Mrs Parr and then ask them to pay. Since the election the ladies had subscribed and paid for the strawberries.”
“We submit this was not for political purposes. We submit strongly the evidence will show it was not for that purpose at all. Was it suggested that the ladies were so glutted and so filled to repletion that they forgot all about the intellectual Mr. Mason and Mr. Morton, and thought only of the corrupt Mr Parr, and that they remained in that paralytic condition for twelve days?”
“ ... to tender socials to a candidate, at which entertainment was provided, was an unwise act, because it was calculated, as instanced by the present case, to render those concerned in it, as well as an innocent candidate, subject to suspicion and litigation.”
Friday, August 21, 2020
The Cardwell Street Murder, New Lynn, 1928
Saturday, July 11, 2020
William Newell: the £22,000 man
“[William] was utterly without affection for me or the children; he was domineering and totally obsessed in acquiring money, and provided the children and myself with barely necessary food and clothing; a factor which in my opinion contributed largely to the ill health of the children.“Just after my said son George was born, deceased’s sister [Mary Fredericksen] came to take charge of the household; during this period the then second youngest child Frank choked with diphtheria and [William] would not allow a doctor to be called in on account of the expense and the child died [1893] …“… I left [William] in the year 1904 and took the 4 children with me … [William] agreed to give me the sum of £2000, and I was to have the children and the responsibility of bringing them up.”
“…allowed the occupancy to continue until August 1918, when he gave six months' notice to terminate. He alleged that the defendant had broken up and cropped about 67 acres, but failed to comply with the terms of his agreement as to laying down that area in grass, and had also failed to cultivate, use, manure, and manage the land in a proper manner … [Newell] was a retired farmer, and lived on the income derived from letting the property, the defendant paying him a rent of £3 per week. Plaintiff had learned that the defendant had transferred his lease to another man, who now occupied the land, although plaintiff had refused to recognise him. In contravention of the lease the defendant had allowed blackberry and other weeds to flourish. … The defendant stated that he manured the property by running his poultry on it. There were never less than 12,000 to 13,000 fowls at one time, Dyke said. Practically all the ploughable area had been ploughed. In 1916 he’d laid down 47 acres in grass. When he left in 1917 a Chinese gardener was using about seven acres as a market garden. After further evidence judgment was given for the plaintiff, the amount of damages being assessed at £150, with costs.” (NZ Herald, 28 February 1920)
“From then until the year 1942 when I again left [him] his attitude of mind and his dominating and penurious attributes made life extremely difficult. Finally my health was completely undermined and I was compelled to leave [him] … I returned to Palmerston North to live with and look after my crippled son George.”
“It is with regret I write these few lines to say my wife and I has [sic] not been living happily and agreeably as husband and wife should live for many years. First, she is a fanatic on religion, very ill disposed, contrary by nature, very disagreeable on many questions. On many occasions she would raise an argument on trivial questions not worth notice, and very often would use offensive remarks in these arguments. Briefly we were badly suited to marry … what is here said is enough on our domestic troubles. She left me without any warning.”
“I did everything about the house, inside and outside, including the lawns, garden and cutting the hedges … the last two weeks were particularly unpleasant. The last two weeks he was unable to move, and had no control over his bowels, and I had to do everything for him, carrying him from room to room about the house …“Shortly after the death … I had a nervous breakdown as a result of the strain of work and nursing and am now receiving medical attention.”
“I acted as the said deceased’s housekeeper from about the beginning of August 1942 until his death on the 4th January 1943 … he informed me that he had engaged two housekeepers since his wife had left him, but one had remained only two weeks and the other only one week.”
“that the testator changed his Will not out of any deep interest in any of the three charities, but in order to punish his wife and children for conduct as to which, upon the affadavits, they were not in the wrong. This however does not justify the making of orders which would go beyond the principles established by the decided cases.”
Marriage registration and English census information from Ancestry.com
Marriage registration, Newell-Britland, NZ BDM
Evening Post, NZ Times, NZ Herald, Auckland Star, Manawatu Standard, Manawatu Times via Papers Past
Land information via Land Information New Zealand
Wills for William and Lilly Newell, Archives New Zealand and Family Search
Archives New Zealand files on the the court hearing: R25924723 & R25925014
Smoothing Coburg Street in the late 1880s
The caption said it was the site of the "library and art gallery," and that it is -- it's where today's Auckland Art Gallery sits, just below Albert Park. It also provides an interesting view of how parts of central Auckland's hilly landscape was cut down for the formation of streets and (in this case) buildings in the late 19th century.
“A correspondent writes : — " The contractor who has the making of the new street in continuation of Wellesley-street East appears to be progressing well with his work, but should he not he expected to protect the public in passing up or down the same— to pass into Coburg-street, or over the hill, as they may desire? Something should also be done to protect the tenants in the cottages next to the cutting. No lights have been affixed to the boundarv rail put across the cutting. The rail makes the danger worse than if there were none. A child leaning against the rail would push it down, and be precipitated eight or ten feet to the bottom of the cutting below. If the cutting is thus unprotected by a light, kept burning between sunset and sun up, the police authorities should pay attention to the matter without delay.” (Southern Cross, 1 March 1873, p. 2)
“To enable the said Commissioners to stop Coburg-street, between the northerly boundary of Dr Philson's property and its junction with Wellesley-street East, and to enable the Governor to grant to the said Dr Philson a triangular piece of land adjoining his said property, at present part of Wellesley street, and to make the abandoned portion of Coburg street land subject to the control of the said Commissioners.” (Southern Cross, 21 April 1873, p. 1)
The City Council's Streets Committee at the time weren't in a great hurry to sorting out the still-hilly nature of that end of Coburg Street.
“Streets Committee,— Re Mr. Graham's letter as to works in Coburg-street, the committee report that the Surveyor's report be adopted ; viz., that the cutting of Coburg-place and triangle should be dealt with at the same time, so that it would be better to leave it as it is for the present.” (NZ Herald, 16 June 1882, p.6)Then -- along came the plans for the city's new public library and art gallery. Part of the site of which would be that hilly bit of Coburg Street.
“It may interest the public generally to know what and where this site is. It is on a long and very irregularly shaped triangular piece of ground between the footpath below Albert Park (or of what is now Coburg-street), Wellesley-street, and what is to be Coburg-street. The street along the Park is to be shut up, and a street opened up lower down, the present street being part, and the best part too, of the site. The extreme width of the ground, on the square, is only 137 feet from the footpath to the junction of Wellesley and Coburg Streets; at the other end it is about 80 feet on the square; and at the junction of Wellesley-street and the footpath it is simply a point. The base, or longest part of the triangle is next the footpath, and from about the middle of the site on this line to the junction of Wellesley and Coburg Streets there is a fall of about 24 feet. I believe my design covers more ground, and therefore has more accommodation than any of the others reported on; and I assure you it caused me a great deal of labour and study to find room for it on the site. The building is close to the base line, or footpath, is within ten feet of Wellesley-street, and touches Coburg-street, so where the waste comes in I do not know. If the ground were perfectly level there would be a considerable vacant space at the junction of the two streets in front, but seeing that there is a fall of over 20 feet there, this space is occupied by the steps and landings getting up to the floor level. I consider this anything but wasted, as it must be allowed that a noble flight of steps with terraces such as are shown would do more to give dignity to the building than any number of little pinnacles, turrets, and such like.” (Letter to the editor, NZ Herald 6 February 1884, p. 3, on plans for the Library & Art Gallery)
And so, we come to that image at the start of this article.
Here's is part of a map from 1889, showing the new alignment, one that survives to today.
Map 2661, Auckland Libraries Heritage Collections
As it looked in 1900, looking up at the Art Gallery and Library.